
Shure
SM58
Indestructible live workhorse; but muffled for studio vocals.

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If you're going to buy Wifi spectrum mics, buy the Rode Gen3 -- they have a mic jack and are basically Rode Wireless Pros without the timecode. My workflow: * Studio/Day-Rate Productions: Sennheiser G3 & G4 bodypacks + cardioid capsule lavalier mics -> Zoom H5 + Rode shotguns on cameras + Boom pole into Tascam DR44WL * Quick and Easy (event documentation): Rode Wireless Go 3 + lavs -> internal recording + Zoom H5 + Rode shotguns on cameras * Run-n-Gun: Rode Wireless Go 3 + Deity mic(s) on camera(s) -> internal recording
I Use a NADY SCM800 Condenser mic. I use RØde wireless go III or a RØde video mic if I'm feeling fancy
I film car videos but the filming and editing aspect is just as much of a hobby to me as working on the cars is. Sony ZV-E1 Sigma 24-70 DG DN Art ii Rode Go 3 Mics (recently upgraded from a single DJI Mic) Some Smallrig tripod Dji RS4 Mini Delkin Fat Gecko mount I recently got a DJI Action 4 for filming POV driving. And then I have a couple different studio lights for soft lighting.
I have gone with Rode Go3. It has a locking 3,5 connector, and that was crucial for me. The only advange that I onestly see in Dji, is the hotshoe adaptor if you are a Sony shooter. Now, in therms of what lapel I plug in, that is an other question as I have a good selection of mics, ranging from DPA's, Sanken Cos11's and other, all compatible with the Rode (Mic2 from Dji is also compatible, but no locking connector)
I love Rode. But Wireless Pro is their most expensive. Wireless Micro or Wireless Go would suit you fine.
I own both the Larks and the RODE Wireless GO (Pro and regular) - they’ll all do essentially the same job, but none of them will let you turn the transmitting off. So that’s the only real concern.
Another vote for the MAX 2. I commonly use these in uncontained filming locations like tradeshow floors or event venues where interference can be expected, and knowing that I've got recordings being run right on the transmitters is a godsend. I own 2 sets and have run 4 TX units to one RX - it's useful for monitoring all at once, but I'm generally using the TX ISO recordings in those situations. I also own the RODE GO mic sets for a similar offering, albeit slightly more expensive. The RODE lav capsules are a bit nicer than the Hollyland ones if you go for the GO Pro kit.

Shure
SM58
Indestructible live workhorse; but muffled for studio vocals.

Shure
SM57-LC
Versatile for instruments; needs pop filter for vocals.

DJI
Mic 2
Unbeatable convenience, 32-bit float; but poor Bluetooth audio.

Samson Technologies
Q2U USB/XLR Dynamic Microphone with Accessories
Great value dual USB/XLR; recent price increase noted.

Shure
SM7B Vocal Dynamic Microphone
Professional vocal sound; but expensive, needs external amplifier.