
Shure
SM58
Indestructible live workhorse; but muffled for studio vocals.

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Rode Wireless Pro here. Very cheap these days and I use the original Rode Lavs for hiding the mic under the shirt. Works very well. Battery lasts a long time and internal 32bit float recording is nice to have.
The pros last like a full day of shooting. Normal ones a little less but still five hours easily after multiple years of use.
Definitely different use cases for everybody. I've owned the Rode Wireless Pro set for a year and have never found myself using the lapel mics. So weird for me that switching to the Mic 3's made more sense for me, as I hate the size of the Rode mics; they're hard to conceal when you don't want to attach wires to people. DJI seems to be shifting their target audience to mobile content creators, hobbyists, vloggers, influencers, etc. Rode is the one catering to the higher end professional users who care about functionality over form factor.
This is the way. Just to add I'd look for the RODE mini if you're going with them since it's more inline with the iphone shooting style. If you're planning on moving on to shooting on a camera at some point I'd save up for the wireless pro.
4th-ed this *Also use them for all talking head shots since acquiring them, no issues
i have in the studio 2 set of Rose Wireless pro and now a 4-channel set of DJI Mic 3. I also had 2 sets of DJI Mic 1, sold them because their capsules are so crap compared to rode’s, even the mic 3s produce a worse result audio-wise, on the rodes the actor can scream in the microphone and they don’t clip, the djis start distorting as soon as somebody laughs
I’ve had nearly hands on with all the microphones. My best picks are the DJI 2/3 with the sony adapter or the Rode Wireless Pro. The djis have a very strong transmission and the adapter works so good. The Rode Pros have some of the best capsules you can’t even find in lapels and a really good auto gain on the transmitters. The Hollyland also were seriously good and always early in the innovation game. ROde are the worst with user interface, setting them up or changing a parameter is not easy. DJIs are the worst mechanically, I’ve worn down the 3.5mm jack of 2 dji sets and required repair. Hollyland are a middle ground but i’ve blown the capsule on one, not sure if moisture or people screaming.
Excellent information. Thank you very much. I decided to go with the RODE Pros. Seems like the best all around with plenty of options
Purchased! Thank you for the suggestion. I knew in my gut which one to get, but I just want confirmation. I do like the mic 3 but doesn’t look like it will give me as many options as I grow and learn how to use these correctly. They are all around the same price too. I ended up getting the RODE pro two mix set for $299. I can record ambient sounds from one mic with on board storage and the other one clipped to me recording with the camera not recording to on board storage. Not sure I need to do both mics this way. It sounds like the one recording ambient noise should be recorded onboard. What if I try to transmit the shotgun mic over wireless, do I lose most of that audio quality? Sorry for the poorly worded question lol

Shure
SM58
Indestructible live workhorse; but muffled for studio vocals.

Shure
SM57-LC
Versatile for instruments; needs pop filter for vocals.

DJI
Mic 2
Unbeatable convenience, 32-bit float; but poor Bluetooth audio.

Samson Technologies
Q2U USB/XLR Dynamic Microphone with Accessories
Great value dual USB/XLR; recent price increase noted.

Shure
SM7B Vocal Dynamic Microphone
Professional vocal sound; but expensive, needs external amplifier.