KSM8 Dualdyne

I hate clip-on mics, so I can’t answer your question, but a GREAT stationary flute mic that flies under the radar is the Shure KSM 8. I play wooden flute in a Celtic rock band, and even right in front of the drum kit it picks up the flute great. The remarkable feature of this mic is that you can play straight into it, nose touching the screen, and not get ANY wind noise (with a low cut applied). It’s worked great for me. Sorry to not be of help, but maybe other folks looking for mic options will benefit.

Have you tried the KSM8? It’s kinda sorta smooth around the mids, very little proximity effect, doesn’t emphasize 800–1.2 kHz area. If budget’s tight, good old Beta 58 or 87 are worth to give a shot. Before cutting 350–400 and 750–800, I’d first sweep around 900–1.2 kHz and put a gentle dip there. Then add a small cut near 350–450 Hz, plus a dynamic EQ band around 800–1 kHz to duck on big vowels. HPF around 100 Hz, and if it sounds dull, add a touch of air. What I also find useful is playing with the mic angle and aim, try 20–30° off-axis and aim just below the lip line. That often takes the edge off. You can test and try to figure out a sweet spot for your singer. If you sprinkle in some VST magic like Waves F6/C6 and pair it with the right capsule and mic technique, that works best. Why I like F6/C6 in this case is; F6/C6 let you set per band thresholds, ranges, and time constants, even sidechain a specific band, so you can make the 900–1.2 kHz dip only when it pops out without dulling the whole. Metering shows exactly which band is working and how much, which makes dialing faster. Many decent modern consoles built in dynamic EQ is also great and close enough. If your desk already has per band dynamics with good metering, you can use that too. Plugins mainly win on ergonomics and precision.

This depends on your budget. For example I work for an AV company. If we were tasked with this project we'd use our Shure Axient mic system. It has 8 wireless mics that have built in Dante connectivity. We'd then run two wired mics into our digital audio console which also has Dante. Then all of it connects to a single computer via a network cable. All 10 channels are separate. But 8 channels of Shure Axient costs like $15k and a digital mixer with Dante is like...another $3k. On the other hand a bunch of cheap wireless USB mics might work.

My favorite mic (which I know is not a condenser) is my KSM8. I sit farther back due to a disability, my room is only slightly treated (walls,) I have a homemade vocal booth but I barely lean in enough for it to matter, and I still love that mic. I’ve recorded everything; my own stuff, co-writes, video… I even use it live. It’s great and I’ve never had anyone with whom I’ve worked tell me otherwise. That said, I totally agree that if you don’t want to go up a level, an SM58 works fine.

The KSM8 sounds closer to what people think the original SM7 should sound like. The SM7B is close but I wouldn’t consider it to be HiFi. To me the KSM8 into a 1073 style pre is chefs kiss perfect. It’s proximity effect mitigation is even better than the re-20 with a huge sweet spot.

The KSM8 sounds closer to what people think the original SM7 should sound like. The SM7B is close but I wouldn’t consider it to be HiFi. To me the KSM8 into a 1073 style pre is *chefs kiss* perfect