TANCHJIM - Origin Lost Manor Edition

aww i just got lost manor myself on my b-day. i'm not an audiophile, but i prefer good sound and i can say for sure they sounds AWESOME. they're very expensive, but i think they don't sounds like a 500 EUR IEMs, but i still love the purchase <3

Love the Lost Manor, but i wish it sounded as good as it looks. Imo the dsp is a must with it. The Blessing is also very cool

Atm the tanchjim lost manor

DX1. Gives me Hexa vibes. It's just as soulless as the Hexa and with no toe-tapping but quite accurate. It's like the Hexa with a smidge more soundstage, just a smidge. I returned it that very day. Aside from that go for the Tanchjim Fission which is pretty much (apparently) the same as the Tanchjim Origin. I have the Origin and legitimately view it as an upgrade over the Hexa in every single way.

PART 1: I'm coming back to your post now 22 days later. Because I wanted to answer this question. So think of this as a better update/answer than what I gave you. From a point of simplification, there's monitoring (this means when you use a microphone your voice sounds pretty close to you). There's critical voiceover editing (this means you wear headphones you can accurately detect problems with your audio, ie sibilance, plosives, phasing issues, etc) Then there's mixing. mixing means you are generally trying to make everything comprehensive and cohesive and sounds good on many mediums, ie iphones, speakers, car speakers, cans, openbacks, everything basically. Here's my thoughts: The Tanchjim Origin/Tanchim Fission are good at all 3. The Westone Mach60s (bought recently) excel at all 3. To elaborate, when I use any microphone it sounds exactly like me. When I watch microphone reviews by Podcastage, Boothjunkie, Curtis Judd, not only does it sounds like them to the dot but it sounds exactly individually how that mic sounds on them. When I listen to male singers, they sound correct. When I listen to female singers they sound correct. But it also does a great job of pointing out flaws in audio, ie I can hear everything. But also these have a ton of soundstage. The Beyerdynamic DT70IE (bought recently) excel at all 3. Though I'd give the edge to the Mach60s. Vocally it's pretty on point, with my voice and others. I noticed a voiceactor on Youtube mentioning the same thing. Just be sure to use the silicone eartips and toss the sponge ones (those suck). The Shure SE846 (bought recently) can do all 3. However I used the blue filters (neutral) along with the the black adapter from the AZLA SednaEarfit Crystal Standard which allows you to use all eartips, ie Dunu S&S. It veers warmer than the Mach60s but it's still pretty on point. It reminds me a lot of my JBL 305 speakers on my desk. The Moondrop Blessing 2/Blessing 3/Cadenza 4 excel at all 3. I map these all the same. While not exactly the same they're pretty much in the same camp. If you own 1, you don't need the other. The Softears Studio4 is good at only 2. Monitoring and mixing. But it isn't good for critical editing for voiceover. This is because it tends to round out sibilance and round out flaws in audio. So you need to cross-check it with something like a Moondrop Blessing 2 or a Thieoaudio Legacy 2. The Etymotic ER2XR is only good at voiceover editing and monitoring. But because of its poor soundstage it's not good for mixing. The Crinacle Dusk is good for monitoring. Good for mixing. But not suitable for critical voiceover editing. You won't know you have sibilance and problems in your audio. It even smooths out DMS's old sibilant headphone videos. ie I use his old videos as a reference for detecting horrible sibilance. The Dunu Titan S (original) are good for monitoring and mixing (it's relatively neutral). But not good for critical editing. It completely smooths out harsh sibilance on female vocals. Wouldn't count on these. The Salnotes Zero (original) are surprisingly good for $20. They are perfectly fine for monitoring. They also give you a general sense of the landscape and can be used for mixing. I thought it was a meme when I saw a ton of audio engineers mentioning the Salnotes Zero (original) for mixing. It also is good with critical editing (but nowhere near as reliable) as other options but it'll definitely point out egregious areas with your audio. Not bad for $20. I'd still strongly recommend going with the Fission (with S nozzle) which almost the same as the Tanchim Origin for a good price.

PART 2: (CONTINUED) Thieoaudio Legacy 2 are good at all 3. Excellent for monitoring. Though when I hear through with my microphone it's my voice but with about 10-15% of the lowend removed from my voice. These imo are the true "Baby Blessing 2" and imo are far more effective and reliable than the Hexa. These also are fantastic for pointing at flaws in your audio, ie issues like sibilance, clipping, plosives, boxiness, phasing, muffled audio, etc. Zigaat Lush (recently bought) is fine for monitoring. But I'm not entirely sure how it would translate to mixing and critical editing. It tends to relax a bit of the highs a bit too much imo. However, the Lush sounds substantially better when paired with the Moondrop Spring tips. Truthear Hexa - I'm going to list these as unreliable (for me). They've steered me so wrong so many times. Not that it won't for you. But I can't recommend them. Also the Hexa is the most divisive IEM. Just read this thread. No one agrees on how it sounds. Watch and read everywhere. No one knows what it sounds like. You got people saying it has a ton of bass. No bass. Little bass. Peaky. Harsh. Smooth. No one knows. You have me saying it's anemic in bass. Who's right? Who's wrong. Imo these are fine for monitoring and mixing. Not for critical editing. Purely anecdotal. But they have steered me wrong.

The Simgot metal 1DDs are all very comfortable. You have the EA500LM for a balanced, but somewhat aggressive v-shape, the original EA500 that's very bright and gets fatiguing quickly, but it probably has the biggest wow factor for the price. And the EA1000 might be just in your budget depending on sales/offers and is sort of a more refined EA500 that isn't as bright or fatiguing. The EA1000 is my overall favourite IEM, but the EA500LM is possibly a safer option for more people as it's the bassiest one, and although it also has more treble than the OG EA500, it's more balanced out by the bass and it doesn't sound as bright. The other notably good 1DDs are the Tanchjim ones, but their ergonomics are terrible. They're small, but have very bad fit stability. Also the Moondrop Kato, if you can find one, is a great all-rounder 1DD and very comfortable. But it's discontinued. The Kefine Delci is really comfortable, but it's a warm, laid back sort of tuning that's not really competitive with the $100+ stuff when it comes to resolution etc. If detail is your top priority, you aren't going to beat the EA1000. Also while it doesn't have as much bass as the EA500LM, it has more "kick" to it than any other IEM I've heard, and it is very *realistic* sounding bass, especially for acoustic drums.