Anker - Motion+

these are all worth their weight in gold: $150 on Amazon - TriBit Stormbox Blast $140 on Amazon ($70/ea) - 2x Soundcore Motion Boom $138 on Amazon ($69/ea) - 2x Anker Soundcore Motion+ $112 on Amazon ($56/ea) - 2x Soundcore Motion 300's $107 on Amazon - Soundcore Motion Boom Plus $100 on Amazon ($50/ea) - 2x Earfun UBOOM L i personally own the TriBit, the Soundcore Motion+, the Earfuns, and I also was able to score a Harman Kardon Onyx 7 for $130 which is right in your price range. I love all of these speakers a lot, but the Harman Kardon has the best bass for the kind of music that I listen to.

Soundcore motion plus. Otherwise no5 much option for bass heavy. Flip 6 is decent enough.

Well back in the day yes. A slight better than Jbl Flip 6. Much more eq customisation for motion plus. Definitely a buy. Please do check what latest options we have in market right now.

300 is great. Sounds as good to me as my Uboom L, Flip 6 or Motion Plus did, but lays flat which helps in a golf cart. I prefer the flat shape for packing and for the ability to lay flat in a golf cart, on a bed, etc. All of the above have very good sound for their respective size category…at the point when I’m splitting hairs over sound, shape, features and app become more important tie breakers.

That is a descent bluetooth speaker but unfortunately it has a very bassy sound profile no matter how you tweak the equalizer like the 90 percent of the boomboxes and mid size speskers. The best research is hearing demos of the speakers by yourself in physical and return the product or try on the audio deparment of mall and big stores.

First of all the negativity and ignorance here on Reddit is simply shocking. Especially in this Bluetooth speaker sub it would seem as if some bored kiddies were trying to spend their spare time here instead of going out playing football, pretending being smartasses having the need of spreading their vomit around... It is sad to see what happens here in regard to brand fanboyism and nitwit-ism with no background knowledge at all. I couldn't care less about all this as I don't give a shit about it, but as Reddit has a huge reach it can lead to some huge misinformation or let's call it "fake news" due to these ignorant hobbists who simply have nothing better to do than trolling around apparently. Please let me explain how the Uboom X developed and what my part was, to clear up all the confusion and misinformation. About a year ago I was approached by Earfun asking if I would like to create some tuning for this upcoming speaker. After the experience I did with the Uboom L some years ago and everyone attacking me calling me to be fake and some shill I was really hesitant to do anything like this again. In reality meanwhile the Uboom L became a kind of classic among music enthusiasts, but I was dragged through the mud back than. Let me say that my youtube channel was built up on sound samples which took me years to optimise in order to reach the most realistic and unbiased sound quality. From my sound demos it was immediately hearable which speaker performed better or worse, even when listening through some crappy headphones, the differences were always perceptible well, if listened over a referened headphone you were basically listening to the real thing, or let's say 95% of what it sounds in real life. I could have missed out my comments and verdicts from all my videos as people should have heard on their own, but these trolls were still pretending the obviously distorting, boomy, muddy speaker was better... So I tried teaching them how sound should sound like, as obviously they didn't know. Many of my viewers were thankful for that, they contacted me and are still contacting me how much I changed their view on bullshit marketing, overpriced audio junk etc etc. Back to the UBoom X: I thought it could be an interesting experience to tune a larger speaker out of my personal interest in this topic and I was not sure what the outcome could be as it would have been the first and maybe last kind of product like that I had the chance to work on. Prior to Earfun only Tribit ever approached me to help them with their products (this was when Earfun engineers were still part of Tribit), So aside of the UBoom L before I also did the tuning for the 360° UBoom as well as the first Tribit Stormbox, or Tribit Xsound Go, I also tuned the Earfun Wave headphone and the old Tribit Xfree Tune and some inears... But tuning a "boombox" with all the competition on the market could be challenging and although the contract between me and Earfun really sucked, offering me just some one-time tuning fee and some commission only when purchased over my own links, I neverthless decided to take this challange which turned out to become quite an odyseey for several months with the most negativity I could even think off. I quickly noticed that the hardware was quite capable, the 80W of rated power just didn't mean anything, and I simply tried to push the speaker to the limits with my settings. I really wanted to offer something unique and outstanding, something people always seeking for good sound quality would appreciate, how wrong was I... Initially I planned to include 3 different settings: indoor, outdoor and "insane". Unlike mentioned everywhere these "EQs" are complete DSP programs, consisting of several sections no only EQ, but the entire compressor/limiter, dynamic EQ, psychoacoustic effects for stereo enhancing and bass, volume curve etc etc. Each of my settings has different 3-band compressor settings, with different crossover frequencies, different volume curves EQ etc. And it took endless listening sessions outdoor at maximum volume to squeeze out the maximum out of this speaker. The outdoor modes have a completely different approach to compression than the indoor modes, which are rather conservative and should retain most bass up to maximum with overall volume not being pushed that much. I also tried to get the most kick out of the outdoor modes up to maximum volume and you should notice that the UBoom X has more attack with more basskick than most other similar speakers, neither does it become as harsh at high levels like others (e.g. Stormbox Blast, which becomes just treble at maximum). This took lots of effort to optimise and the current outdoor mode has treble pushed more than the other modes at high volumes to simply allow for even higher output and loudness to be heard from farther away or higher listening angles. My first indoor was similar to the current indoor+, outdoor was something between the current outdoor and outdoor+ and insane was similar to the current outdoor+ but with bass pushed even more which made it more comparable to some way larger JBL Boomboxes. It looked quite funny seeing this rather compact speaker competing with much larger heavier speakers during my tests. Unfortunately the DSP was quite limiting and while I could optimise every single volume step for the UBoom L with different compression values, there was no way to achieve the same for the UBoom X. I would usually dynamically adjust either the highpass for high levels to avoid too much distortion, or optimise the compressor for higher levels compared to low levels. All this was not possible here and I always came into distortion with too high bass levels and volumes. I also noticed that just 3 modes were not enough to cover most use cases, as the speaker was still pretty bassy with "indoor" and "insane" became too uncontrolled at higher levels due to the limitations mentioned above. So instead of trying to do another "boombox" I thought it could be nice to have a speaker for serious listening which could do both, be some kind of portable studio monitor and some boombox for outdoors if needed. In the end I created several different tunings like that: \- indoor should offer a pretty neutral response similar to studio monitors with some psychoacoustic stereo enhancing and dynamic bass and treble adjustments for lower levels (I kept this rather subtle not to make the speaker appear boomy by no means, I would have liked to boost treble even more for the lowest levels, but the DSP didn't allow it. I would have needed to tune the speaker brighter to begin with and then tone down treble with the compressor at high levels which doesn't work as precisely. \- indoor+ adds even more stereo width and has some slight boost at the lowest and highest frequencies. I tried to achieve something that JBL or Harman is usually doing, boosting bass before rolling off, at the same time I wanted to avoid that one-note kind of bass from JBL, and the boominess of the go+play. This mode should sound quite similar to a go+play but with a more even frequency response and a higher volume with less bass reduction at the same time (not even talking about the much better battery life) \- outdoor has upper bass slightly reduced to avoid the speaker to appear too boomy when placed at the ground while midbass around 60hz boosted more, at the same time lowest bass is cut quite a bit more as usually outdoors these frequencies are not heard that well anyhow, this together with the less aggressive compressor for treble allowed for the highest SPL levels with less distortion than outdoor+, Boom xXX etc. Stereo enhancing is disabled for the outdoor mode, as this created some weird effects in the response when listened off axis, so outdoor should sound better from high angles than the other modes. \- outdoor+ is similar to indoor+ just with the most stereo enhancing the most bass boost in the lowest region and some stronger overall treble boost compared to indoor+ Unfortunately outdoor+ can still become a bit uncontrolled with bassheavy recordings if pushed to the max. You can always try to reduce volume 1-2 steps and it should be still loud enough (much louder than the Stormbox Blast) while becoming cleaner and bassier at the same time. \- Boom xXX was meant as rather fun for those who simply love that boominess. It is still listenable unlike some Sony speakers that are just knocking and humming with mudiness and IMO Boom xXX works best for maximum volume with the most overall bass and slightly less distortion than outdoor+ while being louder at the same time. \- Ground O which stands for ground omnidirectional should offer you the most bass possible when placed at the ground due to the boundary effect without the boominess you would get with Boom xXX, at the same time treble is boosted a lot to allow for omnidirectional listening when the speaker is aimed upwards. This works fairly well and due to the reduced upper bass it gives a more controlled result than Boom xXX with a cleaner, deeper bass due to the ground reflections. \- studio was included due to my Patrons asking for a completely neutral mode with no stereo enhancing, no dynamic EQ etc. This came quite late, and as all my other settings were based on some stereo enhancing which also had a strong impact on the overall frequency response, I had a hard time to tweak this mode to really offer the results I was longing for. I personally prefer indoor for a more neutral reproduction as this opens up the sound stage and gives you more satisfying results for low levels. I also had ideas for other settings although seeing now people complaining already now about too many EQs. I wouldn't care less for the included EQs from Earfun which are really plenty, but Earfun didn't want to give me further slots for additional modes, one of them being "desktop". The problem with portable speakers is that they will change the sound a lot depending on where they are placed and most people do not care how or where to place them. Usually you should place a speaker at the edge of some boundary to avoid any effects with the surface underneath. So a speaker which sounds correct standing free will color the sound a lot when placed in the center of some table, ground etc. To overcome this I still created an own desktop mode which should give more satisfying results with the speaker placed on some larger table or even at the ground. It should still offer a rather neutral uncolored result compensating for the reflections of this surface. Earfun created an own custom firmware for me including this setting replacing studio, which I personally hardly used at all. Those interested can always grab that on my Patreon: [https://www.patreon.com/oluvsone/shop/earfun-uboom-x-custom-firmware-with-mode-560004?utm\_medium=clipboard\_copy&utm\_source=copyLink&utm\_campaign=productshare\_fan&utm\_content=join\_link](https://www.patreon.com/oluvsone/shop/earfun-uboom-x-custom-firmware-with-mode-560004?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=productshare_fan&utm_content=join_link) I have put the Uboom X against much more sophisticated, more expensive speakers and it was on par or outperforming those easily, then reading comments from some deaf idiots claiming it to sound worse, having less detail than their Motion+ or worse bass than their Motion Boom is just completely crazy. People are attacking me repeatedly being a shill for Earfun. Honestly I get a shit from them. From November until now I "earned" 300$ of commission... Others like Flossy who contributed nothing to this probably earned 100 times as much in the same time with his own affilate links and nobody has a problem with this. With all the work I put into this, hoping to satisfy also more demanding listeners, offering something no other company even thought about in a speaker that costs a fraction of the competition and then getting all the shitstorm by some weirdos here, just made me lose all motivation to contribute anything anymore. If you want to support me in some way, you can always use my discount code UBOOMXXX which works on the Earfun site directly . Only then I get some percentage of the sales. So seeing all this negativity, all these claims about Earfun bots flooding Reddit, me being some shill for Earfun is just nonsense bullshit. Earfun doesn't even want to pay me for my work, let alone some others. And yes, I am to some degree satisfied with the result I achieved, so why shouldn't I promote it in some way to those who are new to this topic, unlike others who promote speakers that someone serious about music wouldn't even consider when being deaf!

Anker Soundcore motion boom plus and motion plus. Both can work without latency

He asked for an alternative and I gave one that's pretty good and loud what you mean?

The Anker Motion+ offers excellent sound and bass for the price, with 12 hours of battery life and portability.

I like my soundcore motion plus and Tribit xsound mega (that little beast has bass)!!

Hey there ,try out these models, im sure this will help you:) * **Anker Soundcore Motion+** – This compact yet powerful speaker offers clear treble and deep bass for its size. It has customizable EQ settings through the Soundcore app, providing flexibility in sound tuning. Its 12-hour battery life and IPX7 waterproof rating make it a versatile choice for both indoor and light outdoor use. * **Tribit StormBox Micro 2** – With its small form factor and surprisingly rich sound, the Tribit StormBox Micro 2 delivers a good mix of clarity and bass for indoor listening. It also has a built-in strap for easy attachment, 12-hour battery life, and Bluetooth 5.3 for stable connectivity.

i have tried the Anker Soundcore Motion+, the Teenage Engineering OB-4, and a pair of AIAIAI Unit-4. the Motion+ sounded the worse, by a lot, it just sounds annoying when compared to the other two no matter the style of music, i gave it to a friend, and when i visit that friend i feel like it sounds proper so on its own it isn't bad, i guess it depend what you compare it to. For the price it's pretty good, but light in bass compared to others in the price range, clearer for sure, but nothing like a true monitor. The AIAIAI Unit-4 sound alright, the low bass is very light but you can hear it, can't expect so much of that from a small cone but they do the job well and sound noticeably better than the Motion+, but i can't say the AIAIAI sound amazing because i also have a Dynaudio monitor set and they literally kill it. The TE OB-4 is the best sounding, rivalling with my Dynaudio monitors in terms of niceness and clarity, they don't offer as much bass (they're like half the speaker size) but what they do offer is great, and the low mids are warm, clear and punchy and much more present than the Unit-4's. I would mix on the OB-4 in a pinch, it's really pricey though. Overall they show more detail than i thought possible for a speaker this size. I hope i can try a Minirig someday, i just hate that the software, connection, and quality control is so bad on them. If you can't tell yet, yes i'm pretty much addicted to portable speakers ;)

best is relative. great sound for money value you get with soundcore motion plus or tribit xsound plus 2. But then you moght want tuse teh app and try ew settings. best portabilty and out of the boy usability ou get with jbl flip 6, ue wonderboom, or sony ult field 1. The latter is a little bigger than the others, but includes speakerphone, a flexile strap and vertical and horizontal positioniong, so its the most practical one.

After a lot of search, I bought a SoundCore Motion Plus 2 weeks ago and I tried all the EQ peoples are suggesting, but I don’t like the sound. I feel like small driver cannot compete with the full filling sound of bigger driver.

I was planning to return and purchase soundcore 300 or motion plus or bose soundlink flex but unfortunately amazon doesn't return anymore, only replacement